Fromme’s Kalender, Koloman Moser

In this image there is a central female figure.  She's depicted from a profile veiw. In this composition,  the woman is off center, her hands clasp together while she holds a hour glass. Flowers are pin some of her hair in a bun, while the rest flows down her waist. The text in this print is weighted at the bottom of the page. 

Moser was technically apart of the Vienne Succession, which is closely related to Art Nouveau. The close relationship is appartement in his color palette, use of curves, and asymmetry. This work reminds me of how Steinlein uses pops of earthy colors against black. The proportions of this poster also reminds me of Tournee du Chat Noir. It's important to understand the distinction between different artists and how they were inspired by each other.

Moser, Koloman. Fromme’s Kalender. 1899, Museum of Fine Art Boston, Boston.



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