Bibliography

 Bibliography 

Mucha, Alphone. Job. 1896. 

Toulouse-Lautrec, Henri. Ambassadeurs: Aristide Bruant. 1892. Metropolitan Museum of Art, New York City. 

Erler, Fritz.  Umschlag der Kunst- und Literaturzeitschrift. 1897.

Schiele, Egon. Shaw oder die Ironie. 1912. Modern Museum of Art, New York City. 

Roller, Alfred. Poster for the 14th exhibition for the Vienna Secession. 1902.

Macdonald, Margaret & Frances. McNair, J Herbert. The Glasgow Institute of the Fine Arts. 1895. Modern Museum of Art, New York City. 

Millais, John Everett. Bubbles. 1886.

Mucha, Alphonse. Absinthe Robette. 1896.

Penfield, Edward. Harper's Magazine- February. 1897. Metropolitan Museum of Art, New York City. 

Cappiello, Leonetto. Contratto. 1922. 

Feure, Georges. Jane Derval Folies- Bergère. 1904. 

Chéret, Jules. L'Amant des Danseuses Roman Moderniste par Félicien Champsaur. 1896.  The New York Public Library Digital Collections. New York City.

Grasset Eugene Samuel. Encre L. Marquet. 1892. Los Angeles County Museum of Art. Los Angeles.

Mackentosh, Charles Rennie. The Scottich Musical Review Poster. 1896. The Museum of Modern Art, New York City.

Bradley,  Will. The Twins. 1895, The Metropolitan Museum of Art, New York City. 

Eckmann, Otto. The Cover of Jugmend Magazine. 1896.


Moser, Koloman. Fromme’s Kalender. 1899, Museum of Fine Art Boston, Boston.

Martin, Camille. L'ESTAMPE ORIGINALE. 1895, Swann Galleries Inc., New York City.

Privat-Livermont, Henri. Rajah. 1899, Museu Nacional d'Art de Catalunya, Barcelona. 

Steinlen, Théophile. Tournée du Chat Noir de Rodolphe Salis. 1892, Museum of Montmartre, Paris.

Strickland, Carol, and John Boswell. “Art Nouveau .” The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to the Present, Andrews McMeel Publishing, Kansas City, MO, 2017, p. 91.

Jackson, Effie. “Gustav Klimt & the Art Nouveau Woman’s Fighting Spirit.” Art & Object, 4 Oct. 2022, www.artandobject.com/news/gustav-klimt-art-nouveau-womans-fighting-spirit.

“Artist Biography with Portfolio of Drawings, Paintings, Prints and Posters.” Alphonse Mucha, www.thehistoryofart.org/alphonse-mucha/. Accessed 13 June 2023.

Toulouse-Lautrec, Henri. Moulin Rouge: La Goulue. 1891, The Metropolitan Museum of Art, New York City.

Comments

Post a Comment

Popular posts from this blog

Cover of Jugend, Otto Eckmann

Image
In this design there is a woman to the right razing off in the distance. Organic flowers fill the negative space around her. Dark luscious locks flow around her face and a foral crown adorns the top of her head. Otto Eckmann creating this for the the cover of Jugend magazine around 1896. Different than other artists of the Art Nouveau movement, Eckmann used wood block prints to create this magazine cover.  The visual balance within this magazine cover is similar to the work produced by Moser. The nymph-like female is similar to Mucha's. However, unlike others of the Art Nouveau movement, Eckmann is thinking about space in her artwork. This image consists of a foreground and background. It's important to understand how artist were working as graphic designers. I'm drawn to the similarities to Ukiyo-e woodblock prints.  Eckmann, Otto. The Cover of Jugmend Magazine. 1896.
Read more

Cover of Jugend Magazine, Umschlag der Kunst- und Literaturzeitschrift, Fritz Erler

Image
On this cover of Jugend magazine there is a feminine figural riding a bird. The image is framed with a bold black line. At the top of the page, behind the figure, the title for the publication is hand drawn. There is a cityscape at the bottom of the page and in the distance there is whimsical outlines of clouds. In this print, there is depth and there is traits of the Art Nouveau movement. The Jugend publication was an important contributor to the spread of the movement. This image was important in showcasing the trends that were unfolding in Germany.  Erler, Fritz.  Umschlag der Kunst- und Literaturzeitschrift. 1897.
Read more

The Twins, Will H. Bradley

Image
The main subject of this magazine cover is two identical women overlapping each other. Both female figures are dressed in flowing attire and seem to be holding a plate of berries. Bradley created this image in 1895 for Chap Book Magazine. The image has striking resemblance to Moser's   Fromme’s Kalender. For example both images use muted earth tones along side black which echo a qood block print. In the image, emphasis is placed women by the curving lines. In this artwork there is a sense if movement through the flowing lines. It's important to understand where graphics design started being pushed into a new movement. Bradley,  Will. The Twins. 1895, The Metropolitan Museum of Art, New York City. 
Read more